Tuesday, October 30, 2007
Blackout: "Thinking Outside the Box" News Edition
Peace and blessings,
Below are some examples of modes of thinking that I think provide a positive alternative to many stereotypes that seek to label and confine us. Also, links to these websites have added to the right. What do think of the idea behind the book? The websites? Take care, have a blessed day, and speekonit...
1) Info on the recently released book
2) A
created by a black woman, for women in the ministry.
3) A
4) A
Labels: black, blackout, book, business, careers, entrepreneurs, ministry, More Than Enternainers, news, positive alternatives, sterotypes, thinking outside the box, youth
Tuesday, October 02, 2007
Where's the National Attention and Response?: The Case of Dunbar Village, pt. 1
Peace and blessings,
With all of the attention given to Jena 6 and the influence of hip-hop on the youth, you would think that we as a nation would have hightened senses to ALL immoral and heinous acts which threaten the human condition. Unfortately I was wrong. As someone who is always on the internet and checking e-mail (and therefore always coming across national news headlines), I don't understand why I am just hearing about this issue. Now a couple of months back I read an article on a woman who was raped and her child watched, but I'm not sure if this is the same incident. The point is that this issue needs to get more attention. Big props toWhat About Our Daughters. for working to put this issue in the forefront of America's consciousness. Here is an update on the situation, and below is a video tralier about the incident at Dunbar Village and the lack of response from national figures and organizations. More on this issue is coming shortly. More info on this issue, as well as how to get involved, can be found at What About Our Daughters.
In the meantime, stay blessed, encouraged, and make sure to keep the victims, the suspects, and the situation in prayer. Share your thoughts and speekonit...
With all of the attention given to Jena 6 and the influence of hip-hop on the youth, you would think that we as a nation would have hightened senses to ALL immoral and heinous acts which threaten the human condition. Unfortately I was wrong. As someone who is always on the internet and checking e-mail (and therefore always coming across national news headlines), I don't understand why I am just hearing about this issue. Now a couple of months back I read an article on a woman who was raped and her child watched, but I'm not sure if this is the same incident. The point is that this issue needs to get more attention. Big props to
In the meantime, stay blessed, encouraged, and make sure to keep the victims, the suspects, and the situation in prayer. Share your thoughts and speekonit...
Labels: Dunbar Village, hip-hop, human condition, Jena 6, youth
Thursday, April 26, 2007
What Does It Take? (Pt. 1)
Peace and blessings,
By now, I'm sure most of us have heard about the comments Imus made a few weeks ago. The fact that civil rights leaders came at Imus for his remarks and that he got fired was not surprising. What was surprising, in my opinion, was the fall-back that mainstream hip hop has experienced as a result. Note: I use the term "mainstream" to refer only to the more popular and accessible forms of hip-hop as portrayed on radio stations and music videos. Although I did not expect mainstream hip-hop to be criticized, I believe that this criticism is warranted. In the words of Sam Cooke, "it's been a long time coming." Inan interview with representatives form the hip-hop sites AllHipHop.com and SOHH.com,
the SOHH representative mentioned that the issue is about personal accountability on behalf of the record companies, artists, and everyone else. She also said, in response to the AllHipHop representative's claim that rappers put out offensive language because that's what consumers want (e.g. the supply and demand argument), that it is not that people want this music as much as they have grown accustomed to it.
If Imus would have made those comments a few years ago and mainstream hip-hop would have been under fire, I would have been in the camp of those like Russell Simmons and others who argue that people should point the finger at social inequities and not artists for the degrading lyrics within mainstream hip-hop. Although this position is a legitimate one, and in fact a true "solution" to the problem with artists' degrading lyrics does require that we correct social inequalities and opportunity structures, I no longer consider myself as solely a member of that camp. The more and more I listen to hip-hop and try to analyze their lyrics (both positive and negative), the more I realize that it is not just a social issue, but a moral issue. If society is entirely responsible for hip-hop artists' degrading lyrics, then the social and economic conditions through which these artists are (or were) apart of would shape ALL of their lyrics. However, this is is rarely the case. Most artists tend to show some awareness of the moral responsibility they have to uplift others, but this awareness is thwarted in two ways. One way is through the pursuit of money, such that an artists' album will have 90-95% of their album be about violence, materialism, and misogyny, and the other 5-10% be about something positve. While this may be influenced by social inequalities (e.g. using hip-hop as a way to get out of a severely impoversished condition), I don't think that it is the only factor. Another way that this awareness is thwarted is through distortion. Again, social inequalitities can play a signifcant role as growing up in severely harsh conditions can alter one's views on what is right and wrong. For instance, a person who did not grow up with their parents may feel that it is better to not trust anyone and only look out for oneself. Further, they may, through their music, encourage youth to do the same, and believe that by telling them to not trust others and thus to avoid serious, meaningful relationships, that they are "looking out" for the youth in a good way. Even in this case, I think that social inequalities are still only a part (although a significant part) of the problem.
In light of the recent discussions on the role of (mainstream) hip-hop in the denigration of women, and after watching
part 1,
part 2, and
part 3 of the Oprah show on this issue, I've gained a better understanding as to why I now belong in both the moral camp as well as the social camp. In my opinion, Russell Simmons, Kevin Liles, and even Common were quick to talk about the larger societal (social) issue, but danced around the issue of personal (moral) responsibility on behalf of the artists. No one will argue against the fact (at least I hope not) that the structural inequalitites that exists within our country and throughout the world play a significant role in the myriad of problems we face and will continue to face unless these inequalitites are addressed. However, I feel that while this is important, the greater issue WITH RESPECTS TO THE LYRICS THEMSELVES is what can artists do, and what are they willing to do, to put an end to these degrading lyrics. Talking about one's personal experience, and even the experiences of those in one's community is one thing. Portraying these experiences as absolute truths (e.g. "this is just how it is") to the point where the youth who are listening to this music are encouraged to seek out and glorify this experience is a different thing entirely. The solution to this problem does not lie in either the social or the moral realm, but in both. Society needs to change, but society can only change when the individuals within that society change. Society is made up of people, and because people change, then society can change as well. We determine what society should be, society does not determine who we are.
A prime example of this point can be found in the history of people from African descent. If our actions and behavior are solely a result of our social conditions, then we would still be in slavery. In fact, we would have been complicit with the slavery system, such that we would seek out such a system if we had a choice, seeing that was all we knew. However, history clearly shows us that as a people, WE WERE NEVER defined solely by our social conditions. From the Nat Turners to the Mariah Stewarts, to the Nelson Mandela's to the Martin Luther King's, we have always acted (directly or indirectly) on our moral convictions despite society telling us to do otherwise. One of the main reasons I think that those mentioned (as well as countless others) always worked to change the social conditions that sought to confine them is because they recognized that, despite their own experiences, they had a moral obligation to make things better for those who looked up to and/or came after them. It became less about themselves and more about the welfare of others who would later inhabit this world. In King's famous "I have a dream" speech and also throughout his ministry (activism), much attention is often given to his goals for unity among the citizens of that time. Less attention is given, however, to his emphasis on the welfare and life chances of the children who would come after him. These are just a few exerpts of his 1963 speech to illustrate this point:
"Now is thetime to lift our nation from the quicksands of racial injustice to the solid
rock of brotherhood. Now is the time to make justice a reality for all of
God's children."
"I have a dream that one day on the red hills of Georgia the sons of
former slaves and the sons of former slave owners will be able to sit down
together at the table of brotherhood."
"I have a dream that my four little children will one day live in a nation
where they will not be judged by the color of their skin but by the content
of their character."
In closing, I think that despite the complexity of the problem with and solution regarding the degrading lyrics in mainstream hip-hop, a step in the right direction requires a fundamnetal understanding: Just as those who have come before us have never been defined by their social conditions and have worked to improve the life chances of those who look up to and/or would come after them, we must also realize that societies change because people change, and that we have a personal (moral) responsibilty to work to change things for the better. Not just for us, but for those who may look up to and/or are coming up after us. Not only are hip-hop artists targeted in this understanding, but due to their influence on the youth and their visibility, they are in the optimal position to take a stand and eliminate degrading lyrics. We can point the finger at society all we want, but until we as individuals take resonsibility for what we say to people and how we treat them, we will constanly revisit this issue to little or no avail.
What do you think? To what extent are the artists responsible for what they say? Do you think that individuals must change before society changes, or vice versa? Weigh in and speekonit...
By now, I'm sure most of us have heard about the comments Imus made a few weeks ago. The fact that civil rights leaders came at Imus for his remarks and that he got fired was not surprising. What was surprising, in my opinion, was the fall-back that mainstream hip hop has experienced as a result. Note: I use the term "mainstream" to refer only to the more popular and accessible forms of hip-hop as portrayed on radio stations and music videos. Although I did not expect mainstream hip-hop to be criticized, I believe that this criticism is warranted. In the words of Sam Cooke, "it's been a long time coming." In
the SOHH representative mentioned that the issue is about personal accountability on behalf of the record companies, artists, and everyone else. She also said, in response to the AllHipHop representative's claim that rappers put out offensive language because that's what consumers want (e.g. the supply and demand argument), that it is not that people want this music as much as they have grown accustomed to it.
If Imus would have made those comments a few years ago and mainstream hip-hop would have been under fire, I would have been in the camp of those like Russell Simmons and others who argue that people should point the finger at social inequities and not artists for the degrading lyrics within mainstream hip-hop. Although this position is a legitimate one, and in fact a true "solution" to the problem with artists' degrading lyrics does require that we correct social inequalities and opportunity structures, I no longer consider myself as solely a member of that camp. The more and more I listen to hip-hop and try to analyze their lyrics (both positive and negative), the more I realize that it is not just a social issue, but a moral issue. If society is entirely responsible for hip-hop artists' degrading lyrics, then the social and economic conditions through which these artists are (or were) apart of would shape ALL of their lyrics. However, this is is rarely the case. Most artists tend to show some awareness of the moral responsibility they have to uplift others, but this awareness is thwarted in two ways. One way is through the pursuit of money, such that an artists' album will have 90-95% of their album be about violence, materialism, and misogyny, and the other 5-10% be about something positve. While this may be influenced by social inequalities (e.g. using hip-hop as a way to get out of a severely impoversished condition), I don't think that it is the only factor. Another way that this awareness is thwarted is through distortion. Again, social inequalitities can play a signifcant role as growing up in severely harsh conditions can alter one's views on what is right and wrong. For instance, a person who did not grow up with their parents may feel that it is better to not trust anyone and only look out for oneself. Further, they may, through their music, encourage youth to do the same, and believe that by telling them to not trust others and thus to avoid serious, meaningful relationships, that they are "looking out" for the youth in a good way. Even in this case, I think that social inequalities are still only a part (although a significant part) of the problem.
In light of the recent discussions on the role of (mainstream) hip-hop in the denigration of women, and after watching
A prime example of this point can be found in the history of people from African descent. If our actions and behavior are solely a result of our social conditions, then we would still be in slavery. In fact, we would have been complicit with the slavery system, such that we would seek out such a system if we had a choice, seeing that was all we knew. However, history clearly shows us that as a people, WE WERE NEVER defined solely by our social conditions. From the Nat Turners to the Mariah Stewarts, to the Nelson Mandela's to the Martin Luther King's, we have always acted (directly or indirectly) on our moral convictions despite society telling us to do otherwise. One of the main reasons I think that those mentioned (as well as countless others) always worked to change the social conditions that sought to confine them is because they recognized that, despite their own experiences, they had a moral obligation to make things better for those who looked up to and/or came after them. It became less about themselves and more about the welfare of others who would later inhabit this world. In King's famous "I have a dream" speech and also throughout his ministry (activism), much attention is often given to his goals for unity among the citizens of that time. Less attention is given, however, to his emphasis on the welfare and life chances of the children who would come after him. These are just a few exerpts of his 1963 speech to illustrate this point:
"Now is thetime to lift our nation from the quicksands of racial injustice to the solid
rock of brotherhood. Now is the time to make justice a reality for all of
God's children."
"I have a dream that one day on the red hills of Georgia the sons of
former slaves and the sons of former slave owners will be able to sit down
together at the table of brotherhood."
"I have a dream that my four little children will one day live in a nation
where they will not be judged by the color of their skin but by the content
of their character."
In closing, I think that despite the complexity of the problem with and solution regarding the degrading lyrics in mainstream hip-hop, a step in the right direction requires a fundamnetal understanding: Just as those who have come before us have never been defined by their social conditions and have worked to improve the life chances of those who look up to and/or would come after them, we must also realize that societies change because people change, and that we have a personal (moral) responsibilty to work to change things for the better. Not just for us, but for those who may look up to and/or are coming up after us. Not only are hip-hop artists targeted in this understanding, but due to their influence on the youth and their visibility, they are in the optimal position to take a stand and eliminate degrading lyrics. We can point the finger at society all we want, but until we as individuals take resonsibility for what we say to people and how we treat them, we will constanly revisit this issue to little or no avail.
What do you think? To what extent are the artists responsible for what they say? Do you think that individuals must change before society changes, or vice versa? Weigh in and speekonit...
Labels: artist, children, controversy, degrading lyrics, Don Imus, hip-hop, inequality, Mariah Stewart, MLK, Nat Turner, Nelson Mandela, social, society, videos, youth
Wednesday, April 11, 2007
Heaven for a Gangsta
Peace and blessings,
I would like to start off with a quote from Lecrae’s “I did it for you,” which I think is the best song off of his album, “After the music stops”:
“The say Mack got saved/ and (???) is a Christian/Well I don’t really know them/ but I pray they both listenin’/ it’s hard trying to grow up in a sinful land/and you don’t have an example of an godly man/well hold on!/just keep your eyes on Christ/when you’re in or in the world/man our lives are alright/they say heaven gotta ghetto/ but that ain’t true/ and if God has a standard then that ain’t you/ and that ain’t me/ that’s what I learned late one night/till a man named James White/Changed my life/he told me that Christ paid the price for sin/every lie I ever told Christ died for them/See, I never knew that I offended God/I just knew I really wasn’t trying to live for God/And my sins all cost me/yeah pretty costly/I couldn’t blame the hood for death sin brought me/All that I could do was blame myself/ and realize there was no way I could change myself/so I, trusted Christ with my lust for life/and He saved me that’s why I’m trying to touch the mic/Yeah, so if you ask me who I’m spittin’ this to/that’s right yall I did it for you/I did it for you/and if you ask who I’ve written this to/that’s right yall I did it for you/I did it for you”
Lecrae, from “I did it for you” off of his album, “After the music stops.”
While growing up, I was blessed to have both parents around and a good education. Despite these blessings, however, I was exposed to my share of gang violence. I vividly remember when I saw someone shooting at another person in my driveway, only to find out moments later that the person was shot and killed on my front porch. Some years earlier I remember overhearing my pops’ telephone call when he found out that my cousin, who had a scholarship to attend UCLA and was a honor roll student and athlete, was shot and killed over a CD players just days before his high school graduation. Further, I have and currently know plenty of people who are involved in gang life.
Now that I’m older and have tried to learn more about the contexts and experiences which encourage youth to get involved with gang life, I often wonder “what if that was me?” “What if I didn’t grow up with two parents who loved me and encouraged me to be great, and didn’t have a great-aunt to anoint me with olive oil and pray over me often?” I think that asking these type of self-reflective questions is a start to realizing that regardless of the “endowments” or supports we may have grown up with, it is only by the grace of God that we do not have to live a life of crime, violence, and desperation. Does that mean that God is the reason why there are “those” people who are in gangs and who commit violent acts toward each other? I emphatically say no. What it is a result of, though, is the many sins and choices that we have made (via free will) that have created the conditions to where some people feel like joining a gang is their best option for survival or a decent life, given the alternatives. Every choice we make, big or small, has some kind of effect on someone other than ourselves…
Once we get to the point where we realize that we could easily be in the same position as our brothers and sisters who are severely impoverished, involved in drugs, and/or gang life, we must then ask ourselves, “what kept me out of that situation?” Once we realize that the only answer is the grace of God, we must then ask ourselves, “how do we tell those who are in these predicaments that this is not what God intended for them, and that God, through Jesus Christ, will free them from their bondage and change their lives around?” Whenever I think about the power that we as Christians posses to reach those outside of the church walls, I recall an ever-important question that a woman raised during a discussion on whether or not Christians should embrace hip-hop as a ministry tool. She simply asked:”If Jesus was to come back today, where would he spend his time?” This immediately struck a cord with me because one of the first things that came to my mind were the people most likely to not “get down with” the church (although there are some more progressive churches were this is not the case). When I look in the bible at how and where Jesus spent most of his time, it is clear that Jesus was deeply concerned with those who were marginalized and written of as “outcasts.” In Luke 5:32 Jesus states,
“I have not come to arouse and invite and call the righteous, but the erring ones (those not free from sin) to repentance [to change their minds for the better and heartily to amend their ways, with abhorrence of their past sins” (NKJ Amplified)
Someone who has taken this scripture to heart is Bishop George McKinney, who has a
What do you think? What do you think are the main causes as to why youth get involved with gang life? What role do you think Christians should play in addressing this issue? Weigh in and speekoint…
Labels: After the Music Stops, Christian, Christian hip hop, church, drugs, gangs, Heaven, Jesus, Lecrae, Luke, New Slavemasters, youth
Thursday, February 08, 2007
Holding it down: Salome Thomas-El
Pic courtesy of
Peace and blessings,
A couple of months ago, a friend of mine sent me a
Pic courtesy of
About a month later, I came across this article on
In sum, this story, and other personal stories I hear about friends of mine who view teaching as their calling, lets me know about the power education, and how teaching and connecting with students go hand in hand. More on Salome Thomas-El can be found on
Labels: chess, education, hip-hop, lyrics, Salome Thomas-El, youth
Tuesday, September 19, 2006
Access (not) Granted Pt. 2
Peace and blessings,
I last left off with the lessons learned and the implications from the seminar I attended on hip-hop and Christianity. Before I move on, I want to emphaisze that the focus of the seminar was to discuss 1) How we as Christians can become more aware of and use hip-hop culture to expose our youth ( I say "our" to indicate that we must take back our youth!) to Christ. The summer of my sophomore year, a friend of mine introduced me to many Christian hip-hop artists, among them being Cross Movement, KJ-52, Sev-Statik, and Grits. From then, I was hooked. They provided me with a springboard into another dimension of hip-hop music and culture that I was previously closed off from. In the past, when I would hear of the term "Christian rapper," I would automatically assume that their lyrical content and skill would be lacking in relation to the secular artists who I listened to. And although, like with anything there are people who are more talented than others, I have found that from the Christian artists that I constantly keep in rotation (most of which are included on the "hip-hop" section of the website), having a relationship with Christ does not stifle artistic expression, creativity, or breadth (the ability to address mutliple issues and experiences). On the contrary, a relationship with Christ stimulates and enhances these things! And as I reflect on this notion it makes perfect sense. Since God is the creator of all this good, of which gifts. talents, and skills are included, it makes sense these things would be exponentially improved if they are used in a way that gives credit and glory to God, the source and creator of these gifts, talents, and skills. Which brings me to my last point...
As I have become more engulfed in Christian hip-hop, and learning more and more how within the broader hip-hop culture, God is raising up biblically-sound, Christ-filled, and lyrically gifted MCs who are out to reach the youth and the lost, the resistance to this movement is become more and more evident as well. In my opinion, the lack of visibility and access many Christain MCs have faced and are currently facing can be illustrated by the following hypothetical situation. Imagine a child who, for whatever reason, is intentionally starved. Once the child is to the point where he or she is really hungry, they are only given bad-tasting food. Now, the fact that they eat this food demonstartes that they were hungry, but simply eating the food in no way suggests that the food itself was good to them or for them. However, because the child was starving and that was the only food available to them, they got their grub on for real. Further, and more devastating, is that because we often form perceptions of others and their behaviors based on a superficial analysis of that person, the child's eating of the food is perceived as meaning that 1) the child likes the food and 2) the food must be good. It's the same with the current hip-hop scene. Many youth and people who are going through difficult times or do not have a relationship with God are looking for some kind of guidance or "blueprint" for how to navigate life. In other words, they are hungry, to the point where they may be starving. To these individuals (as it was to me during early adolescence), mainstream hip-hop (e.g. the same 8 songs that get played on every major radio station, each with catchy, hypnotic hooks and touch on the similar themes of sex, violence, crime, and materialism) becomes their bad-tasting food. Because this appears to be the only food gaining mainstream visibility, they are quick to consume and eat because they are not aware of a quality, healthy alternative. Therefore, although listeners may call in to these stations and request these songs, I argue that they are not FREELY choosing to hear these songs in a way that attests to the song's quality. To freely choose something, one must also have a somewhat comparable alternative to validate one's choice. For instance, In order for a child to choose to do their homework, he or she must weigh that choice against a comparable alternative, such as not doing their homework and hanging with friends. Until these major radio stations and other media outlets present the public with comparable alternatives, the public will never have a FREE choice when it comes to which music they want represented in the mainstream. And we all know that the opposite of freedom is slavery, but let's not get into that right now, lol. Now i'm not saying that hip-hop should not address issues of sex, crime, violence, drugs, or whatever. These are all aspects of people's life experiences, so i think they should be addressed within hip-hop culture. However, my beef is not with WHAT is being addressed, but HOW it is being addressed. For instance, many mainstream hip-hop artists address these issues and the negative affects they have on people, but fail to mention how people can overcome these and other vices. Further, the argument that artists are ONLY speaking their reality and would have more positive, uplifting lyrics if that was their experience does not hold hold weight for two reasons. One, I know that many if not all of these artists are aware of God, and know of his power. As Shabach, one of my favorite Christian MC's puts it:
"I pray for secular rappers with dope music/who have that Godly intuition but they don't use it!"
-From the song "Speak to me" off of the album, "From Sin to Shabach: The Rebirth"(album info in the "hip-hop" section)
Second, because of hip-hop's influence, artists must realize that millions and millions of people look up to them from throughout the world, and thus they are obligated to steer the youth and others they influence in a more positive direction. As I conclude, I would like to ask those who read this to pray that God continues to add more avenues for Christian hip-hop to gain access to the masses. Although I'm a humble dude, I am overly confident, actually 150% certain that if the youth and the lost were aware of positive, quality Christian hip-hop and were thus able to choose between the bad-tasting food and the food that helps us (by directing us towards a relationship with Christ) transform our earthly lives and solidifies our spiritual lives, I know they will choose the latter. This is an issue that I felt God has laid on my heart for a while, and thus I will continue to address this issue in the future. I'm interested in hearing people's thoughts on this, so please speekonit...
I last left off with the lessons learned and the implications from the seminar I attended on hip-hop and Christianity. Before I move on, I want to emphaisze that the focus of the seminar was to discuss 1) How we as Christians can become more aware of and use hip-hop culture to expose our youth ( I say "our" to indicate that we must take back our youth!) to Christ. The summer of my sophomore year, a friend of mine introduced me to many Christian hip-hop artists, among them being Cross Movement, KJ-52, Sev-Statik, and Grits. From then, I was hooked. They provided me with a springboard into another dimension of hip-hop music and culture that I was previously closed off from. In the past, when I would hear of the term "Christian rapper," I would automatically assume that their lyrical content and skill would be lacking in relation to the secular artists who I listened to. And although, like with anything there are people who are more talented than others, I have found that from the Christian artists that I constantly keep in rotation (most of which are included on the "hip-hop" section of the website), having a relationship with Christ does not stifle artistic expression, creativity, or breadth (the ability to address mutliple issues and experiences). On the contrary, a relationship with Christ stimulates and enhances these things! And as I reflect on this notion it makes perfect sense. Since God is the creator of all this good, of which gifts. talents, and skills are included, it makes sense these things would be exponentially improved if they are used in a way that gives credit and glory to God, the source and creator of these gifts, talents, and skills. Which brings me to my last point...
As I have become more engulfed in Christian hip-hop, and learning more and more how within the broader hip-hop culture, God is raising up biblically-sound, Christ-filled, and lyrically gifted MCs who are out to reach the youth and the lost, the resistance to this movement is become more and more evident as well. In my opinion, the lack of visibility and access many Christain MCs have faced and are currently facing can be illustrated by the following hypothetical situation. Imagine a child who, for whatever reason, is intentionally starved. Once the child is to the point where he or she is really hungry, they are only given bad-tasting food. Now, the fact that they eat this food demonstartes that they were hungry, but simply eating the food in no way suggests that the food itself was good to them or for them. However, because the child was starving and that was the only food available to them, they got their grub on for real. Further, and more devastating, is that because we often form perceptions of others and their behaviors based on a superficial analysis of that person, the child's eating of the food is perceived as meaning that 1) the child likes the food and 2) the food must be good. It's the same with the current hip-hop scene. Many youth and people who are going through difficult times or do not have a relationship with God are looking for some kind of guidance or "blueprint" for how to navigate life. In other words, they are hungry, to the point where they may be starving. To these individuals (as it was to me during early adolescence), mainstream hip-hop (e.g. the same 8 songs that get played on every major radio station, each with catchy, hypnotic hooks and touch on the similar themes of sex, violence, crime, and materialism) becomes their bad-tasting food. Because this appears to be the only food gaining mainstream visibility, they are quick to consume and eat because they are not aware of a quality, healthy alternative. Therefore, although listeners may call in to these stations and request these songs, I argue that they are not FREELY choosing to hear these songs in a way that attests to the song's quality. To freely choose something, one must also have a somewhat comparable alternative to validate one's choice. For instance, In order for a child to choose to do their homework, he or she must weigh that choice against a comparable alternative, such as not doing their homework and hanging with friends. Until these major radio stations and other media outlets present the public with comparable alternatives, the public will never have a FREE choice when it comes to which music they want represented in the mainstream. And we all know that the opposite of freedom is slavery, but let's not get into that right now, lol. Now i'm not saying that hip-hop should not address issues of sex, crime, violence, drugs, or whatever. These are all aspects of people's life experiences, so i think they should be addressed within hip-hop culture. However, my beef is not with WHAT is being addressed, but HOW it is being addressed. For instance, many mainstream hip-hop artists address these issues and the negative affects they have on people, but fail to mention how people can overcome these and other vices. Further, the argument that artists are ONLY speaking their reality and would have more positive, uplifting lyrics if that was their experience does not hold hold weight for two reasons. One, I know that many if not all of these artists are aware of God, and know of his power. As Shabach, one of my favorite Christian MC's puts it:
"I pray for secular rappers with dope music/who have that Godly intuition but they don't use it!"
-From the song "Speak to me" off of the album, "From Sin to Shabach: The Rebirth"(album info in the "hip-hop" section)
Second, because of hip-hop's influence, artists must realize that millions and millions of people look up to them from throughout the world, and thus they are obligated to steer the youth and others they influence in a more positive direction. As I conclude, I would like to ask those who read this to pray that God continues to add more avenues for Christian hip-hop to gain access to the masses. Although I'm a humble dude, I am overly confident, actually 150% certain that if the youth and the lost were aware of positive, quality Christian hip-hop and were thus able to choose between the bad-tasting food and the food that helps us (by directing us towards a relationship with Christ) transform our earthly lives and solidifies our spiritual lives, I know they will choose the latter. This is an issue that I felt God has laid on my heart for a while, and thus I will continue to address this issue in the future. I'm interested in hearing people's thoughts on this, so please speekonit...
Labels: access, artist, choices, Christian hip hop, degrading lyrics, God, hip-hop, influence, lyrics, media, Shabach, visibility, youth
Access (not) Granted Pt. 1
Peace and blessings,
As you can see, I have recently been making many updates to the site. Although I have updated many of the site's components, I have recently been focusing more on the "Holy Hip-Hop Resources" section. This focus is the result of two factors. One is that I am a serious hip-hop head and would not turn down a freestyle or cypha if my ife depended on it, lol. Quiet as kept, I was actually one of two MCs in a live hip-hop band for a semester while in undergrad. The other reason why I have been adding more media, artist info, and other Christian hip-hop related stuff is because I know that God has created this subculture within the broader hip-hop culture for a reason. In my early teens, I got real heavy into the whole hip-hop/rap culture. My first hip-hop cd that I consistently rocked was Snoop's first album, "Doggysyle." From then on, I got my hands on any and every rap cd there was, from Ice Cube to DMX to Jay-Z to Bone Thugs and Harmony. You name it, I either had it on cd or used cassetts to record their songs off of the radio (real talk, that was the thing to do in the mid to late nineties, lol). In high school (in particular Junior and Senior year), I became more engulfed in the music and culture, to the point where if my boys and I did not freestyle either during lunch, after school, or driving home from school, then a brotha didn't feel right. In college my love for hip-hop grew stronger, but little did I know that God was working out something within me.
My first year of college, hip-hop played an important role in getting me through. By this I mean that in college everyone needs a healthy outlet to relieve stress and relax from the academic demands, and for me my outlets were hooping and freestyling, although freestyling occured much more often. When we couldnt find anything to do on the weekends or just wanted to "take a mental break," my friends and I would have freestyle sessions that would last hours. My sophomore year, my love for hip-hop remained the same, but what I loved about it started to change. Upon attending "Atlanta '02," a black student christian conference put on every three years in Atlanta by Black Campus Ministries (a branch of Intervarsity Christian Fellowship), I was most looking forward to attending the seminar on Hip-Hop. At the same time, however, I was alittle reluctant because I just knew that going to a Christain conference and discussing hip-hop (especially as it is represented in the mainstream), would mean that I would have to throw away all of my "secular" hip-hop cds (which at the time was all of them because I was not yet exposed to Christian hip-hop). To my surprise however, I did not leave the seminar feeling convicted to throw away all of my secular hip-hop cds. What I did learn from the seminar and thus took from it was that 1) "the church" (both in an institutional sense and in the sense of we as a collective of believers) should pay more attention to hip-hop culture because we cannot deny the influence it has on the lives of youth and young adults. 2) We also discussed how there are some "secular" artists (i.e. DMX, Pac, and Nas) who at times offer their perspective on who God is and what the power of God can do for people who are disenfranchised. It is important to note that the seminar's speaker did not condone the lyrics, behaviors, and messages of these artists, nor do I. He was just using them to illustrate the point that as Christians, we need to be aware of the cultural messages permeating the minds of our youth, and hip-hop is no exception. 3) Lastly, and probably most importantly, we learned that there is a spiritual battle going on within the the culture of hip-hop, and thus because of the culture's many facets and what it's often associated with in the mainstream, it is not for everyone. For example, although I did not feel that I had to throw away all of my secular cds, I did throw away most of them, not necessarily because I felt a strong conviction to do so, but because as God was widening my perspective in terms of the influence of hip-hop and how He intended it to be used, I no longer had the desire to listen to most of the stuff I used to let infiltrate my spirit. Now there are still a few secular artists I listen to from time to time (some pac, some jay-z, some nas, some AZ), but I have become alot more cautious of the type of music I listen to. In order to avoid making this post super long, the rest of this messsage will be included in part 2. Speekonit...
As you can see, I have recently been making many updates to the site. Although I have updated many of the site's components, I have recently been focusing more on the "Holy Hip-Hop Resources" section. This focus is the result of two factors. One is that I am a serious hip-hop head and would not turn down a freestyle or cypha if my ife depended on it, lol. Quiet as kept, I was actually one of two MCs in a live hip-hop band for a semester while in undergrad. The other reason why I have been adding more media, artist info, and other Christian hip-hop related stuff is because I know that God has created this subculture within the broader hip-hop culture for a reason. In my early teens, I got real heavy into the whole hip-hop/rap culture. My first hip-hop cd that I consistently rocked was Snoop's first album, "Doggysyle." From then on, I got my hands on any and every rap cd there was, from Ice Cube to DMX to Jay-Z to Bone Thugs and Harmony. You name it, I either had it on cd or used cassetts to record their songs off of the radio (real talk, that was the thing to do in the mid to late nineties, lol). In high school (in particular Junior and Senior year), I became more engulfed in the music and culture, to the point where if my boys and I did not freestyle either during lunch, after school, or driving home from school, then a brotha didn't feel right. In college my love for hip-hop grew stronger, but little did I know that God was working out something within me.
My first year of college, hip-hop played an important role in getting me through. By this I mean that in college everyone needs a healthy outlet to relieve stress and relax from the academic demands, and for me my outlets were hooping and freestyling, although freestyling occured much more often. When we couldnt find anything to do on the weekends or just wanted to "take a mental break," my friends and I would have freestyle sessions that would last hours. My sophomore year, my love for hip-hop remained the same, but what I loved about it started to change. Upon attending "Atlanta '02," a black student christian conference put on every three years in Atlanta by Black Campus Ministries (a branch of Intervarsity Christian Fellowship), I was most looking forward to attending the seminar on Hip-Hop. At the same time, however, I was alittle reluctant because I just knew that going to a Christain conference and discussing hip-hop (especially as it is represented in the mainstream), would mean that I would have to throw away all of my "secular" hip-hop cds (which at the time was all of them because I was not yet exposed to Christian hip-hop). To my surprise however, I did not leave the seminar feeling convicted to throw away all of my secular hip-hop cds. What I did learn from the seminar and thus took from it was that 1) "the church" (both in an institutional sense and in the sense of we as a collective of believers) should pay more attention to hip-hop culture because we cannot deny the influence it has on the lives of youth and young adults. 2) We also discussed how there are some "secular" artists (i.e. DMX, Pac, and Nas) who at times offer their perspective on who God is and what the power of God can do for people who are disenfranchised. It is important to note that the seminar's speaker did not condone the lyrics, behaviors, and messages of these artists, nor do I. He was just using them to illustrate the point that as Christians, we need to be aware of the cultural messages permeating the minds of our youth, and hip-hop is no exception. 3) Lastly, and probably most importantly, we learned that there is a spiritual battle going on within the the culture of hip-hop, and thus because of the culture's many facets and what it's often associated with in the mainstream, it is not for everyone. For example, although I did not feel that I had to throw away all of my secular cds, I did throw away most of them, not necessarily because I felt a strong conviction to do so, but because as God was widening my perspective in terms of the influence of hip-hop and how He intended it to be used, I no longer had the desire to listen to most of the stuff I used to let infiltrate my spirit. Now there are still a few secular artists I listen to from time to time (some pac, some jay-z, some nas, some AZ), but I have become alot more cautious of the type of music I listen to. In order to avoid making this post super long, the rest of this messsage will be included in part 2. Speekonit...
Labels: access, ATL, Black Campus Ministries, Christian hip hop, degrading lyrics, God, hip-hop, influence, lyrics, mainstream, visibility, youth
Sunday, February 19, 2006
More than meets the eye?
Peace and blessings,
Ever since I can remember, I have always been a fan of superheroes. It started with Voltron and Teenage Mutant Ninja Turtles cartoons. Around 9 or 10 years old, I also became interested in comic books, more specifically marvel comics. My all time favorite superhero group by far is the X-men, and my favorite solo superhero is Spiderman. It has since been over a decade later, and I still find myself buying comic books and watching classic superhero cartoons. As I get older, one of my goals is to become more purposeful in all I do, business and recreational. Therefore, the question arises: why am I just as, if not more interested in superheroes now than I was back when I would have had the costumes to match? Not surprisingly, the answer to this question led to more questions. I realized that my current fascination with superheroes stems from the fact that I actually learn from them. More specifically, when I watch an episode of X-men or Spiderman, I see more than just action-packed characters. I see individuals who struggle with complex issues of identity, relationships, and moral agency within a socio-political context. The following pics are courtesy ofMarvel .
For example, I argue that the life of Peter Parker (a.k.a. Spiderman) somewhat mirrors the Christian Walk. Once he received his powers, he struggled with whether or not to use his powers for self-ish reasons or to help others. Similarly, as Christians God has entrusted us with wisdom, discenrment, and spiritual authority over Satan, but it's up to us to decide whether we are going to use what God has blessed us with to bless others. It may sound Cliche-ish, but it's on that "to whom much is given, much is required" steez.
On more of a social level, the X-men are a group of mutants who've dedicated their lives to working towards unity between humans and mutants. I believe that the X-men's decision to protect those who fear and hate them (i.e. humans) and their strivings for unity resemble the civil rights movement and the ills of racisim. This idea of racism and societal outcasts was made more clear to me while learning about the plight of a group of mutants known as the Morlocks in an episode of X-men. Like the X-men, they are feared and hated by humans. Unlike the X-men, however, their mutant characteristics are more visible (i.e. they have more physcial and facial deformities), therefore they cannot "pass" as human. As a result, they live underground, and have to steal food to survive. This dynamic of having one group of mutants who are more marginalized in society than another group relates to past and contemporary divisions bewteen people with darker skin and those with lighter-skin, and how "light-skin" black and brown people appear more acceptible in mainstream American media.
In terms of superheroes' political relevance, the Black Panther's name should speak for itself. The Black Panther is the first prominent Black superhero. He lives in an African nation that was unaffected by European colonization. He protects his nation from colonization and other countries' attempts to exploit his nation's resources. Sound familiar? He first appeared in issue #52 of the Fantastic Four in 1966, the same year that the Black Panther Party for Self-Defense was formed in Oakland, Ca by Bobby Seale and Huey Newton. Coincidence? Hardly. It doesn't take deep analysis to see there's a connection. In a recent Black Panther comic (part of a four-part crossover series with the X-men), the Black Panther addresses the issue of the death penalty in Texas. Such a comment would not have been necessary if he was simply an action-packed character, suggesting that there's more to many superheroes than what meets the eye.
The above examples have led me to the following theory: Although superheroes are often known for their special powers, they provide insight into moral, political, and societal issues. Moreover, I argue that because children are often fascinated with superheores, adults and educators should atleast consider the potential educational import of superheroes such as Spiderman, X-men, and The Black Panther as tools to promote critical thinking and the awareness of social and political issues among children. I am really interested in this issue, so I'm looking forward to hearing what others think about it. Peace, Blessings, and speekonit...
Ever since I can remember, I have always been a fan of superheroes. It started with Voltron and Teenage Mutant Ninja Turtles cartoons. Around 9 or 10 years old, I also became interested in comic books, more specifically marvel comics. My all time favorite superhero group by far is the X-men, and my favorite solo superhero is Spiderman. It has since been over a decade later, and I still find myself buying comic books and watching classic superhero cartoons. As I get older, one of my goals is to become more purposeful in all I do, business and recreational. Therefore, the question arises: why am I just as, if not more interested in superheroes now than I was back when I would have had the costumes to match? Not surprisingly, the answer to this question led to more questions. I realized that my current fascination with superheroes stems from the fact that I actually learn from them. More specifically, when I watch an episode of X-men or Spiderman, I see more than just action-packed characters. I see individuals who struggle with complex issues of identity, relationships, and moral agency within a socio-political context. The following pics are courtesy of
For example, I argue that the life of Peter Parker (a.k.a. Spiderman) somewhat mirrors the Christian Walk. Once he received his powers, he struggled with whether or not to use his powers for self-ish reasons or to help others. Similarly, as Christians God has entrusted us with wisdom, discenrment, and spiritual authority over Satan, but it's up to us to decide whether we are going to use what God has blessed us with to bless others. It may sound Cliche-ish, but it's on that "to whom much is given, much is required" steez.
On more of a social level, the X-men are a group of mutants who've dedicated their lives to working towards unity between humans and mutants. I believe that the X-men's decision to protect those who fear and hate them (i.e. humans) and their strivings for unity resemble the civil rights movement and the ills of racisim. This idea of racism and societal outcasts was made more clear to me while learning about the plight of a group of mutants known as the Morlocks in an episode of X-men. Like the X-men, they are feared and hated by humans. Unlike the X-men, however, their mutant characteristics are more visible (i.e. they have more physcial and facial deformities), therefore they cannot "pass" as human. As a result, they live underground, and have to steal food to survive. This dynamic of having one group of mutants who are more marginalized in society than another group relates to past and contemporary divisions bewteen people with darker skin and those with lighter-skin, and how "light-skin" black and brown people appear more acceptible in mainstream American media.
In terms of superheroes' political relevance, the Black Panther's name should speak for itself. The Black Panther is the first prominent Black superhero. He lives in an African nation that was unaffected by European colonization. He protects his nation from colonization and other countries' attempts to exploit his nation's resources. Sound familiar? He first appeared in issue #52 of the Fantastic Four in 1966, the same year that the Black Panther Party for Self-Defense was formed in Oakland, Ca by Bobby Seale and Huey Newton. Coincidence? Hardly. It doesn't take deep analysis to see there's a connection. In a recent Black Panther comic (part of a four-part crossover series with the X-men), the Black Panther addresses the issue of the death penalty in Texas. Such a comment would not have been necessary if he was simply an action-packed character, suggesting that there's more to many superheroes than what meets the eye.
The above examples have led me to the following theory: Although superheroes are often known for their special powers, they provide insight into moral, political, and societal issues. Moreover, I argue that because children are often fascinated with superheores, adults and educators should atleast consider the potential educational import of superheroes such as Spiderman, X-men, and The Black Panther as tools to promote critical thinking and the awareness of social and political issues among children. I am really interested in this issue, so I'm looking forward to hearing what others think about it. Peace, Blessings, and speekonit...
Labels: African, Black Panther, Black Panther Party, cartoons, children, comic book, education, moral, political, social, Spiderman, Superheroes, Voltron, X-men, youth
Subscribe to Posts [Atom]
